Luncheon of the Boating Party Rendition Renoir Oil Painting on Canvas

  • City: Los Angeles
  • State: California
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Description:

Up for sell is a Beautiful Hand Painted in Oils on Canvas by an Unknown Artist a High Quality *** Rendition *** of Pierre Auguste Renior's Luncheon of the Boating Party. Painting Measures 18" x 23" Frame Measure 31" x 27" Add Elegance and Class to any Living Area. Call or Text Melvin 817-899-89 One,One Price is $360.00 CASH. It depicts a real place: Maison Fournaise of Chatou, a beloved floating restaurant moored along the Seine River, where hungry canoeists could paddle up to dine. Instantly recognizable, Auguste Renoir's masterpiece depicts a gathering of his real friends enjoying a summer Sunday on a café terrace along the Seine near Paris. A wealthy painter, an art collector, an Italian journalist, a war hero, a celebrated actress, and Renoir's future wife, among others, share this moment of la vie moderne, a time when social constraints were loosening and Paris was healing after the Franco-Prussian War. Parisians were bursting with a desire for pleasure and a yearning to create something extraordinary out of life. Renoir shared these urges and took on this most challenging project at a time of personal crises in art and love, all the while facing issues of loyalty and the diverging styles that were tearing apart the Impressionist group. Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics. Hailed as “one of the most famous French paintings of modern times” when it was first exhibited, the Luncheon of the Boating Party was flanked by Alfred Sisley’s Snow at Louveciennes and Banks of the Seine at the Phillips Memorial Gallery in December 1923. At the time, Phillips had intentions of forming a unit of Renoir’s works; however, as the painting came to serve its purpose as a magnet attracting to the museum “pilgrims to pay homage from all over the civilized world,” Phillips realized that the Luncheon of the Boating Party was the only major work by the artist that he would need.